Don’t Put out the man’s FIRE! 2nd Annual RL BOYCE PICNIC and BLUES CELEBRATION August 16-17, 2018 Como, MS
Como Bluesman RL Boyce was first recorded in 1970. Playing percussion on his 15th birthday with his Uncle, Othar Turner’s Fife and Drum band. Today in 2018 at 62 a recent Grammy nominee, we celebrate RL’s 63rd birthday. A lifetime of creating music we invite all to come and revel in his astounding achievements. Rooted in the family tradition Sherena Boyce RL’s daughter and famed #1 Juke Joint Dancer has put together a star studded Hill Country Blues line up to shake ‘em on down. To help everyone get in a hypnotic head Sherena bill two notable area family groups The Hurt Family Fife and Drum band, and Sharde Thomas and The Rising Stars. Plus a bunch of outstanding players including Kenny Brown, Dwayne Burnside, Joyce SheWolf Jones, Cam Kimbrough, Mark Mule Man Massey, Eric Deaton and many more.
THURSDAY AUGUST 16th
RL’s yard 103 Compress Road, 4:00 to 8:00 pm
Get skoolin’ and join the band. Learn the centuries old art of Fife and Drum music from the big blues man and friends. An art forum taught through Afro-American families throughout Mississippi. Spellbinding, hypnotic, and infectious fife and drum music origins date back to the end of the civil war. RL will be available to share his licks and inspire one’s own style. Fife & Drum instruction, and history will be shared by Willie Hurt, first cousin to RL Boyce.
(limited to 10)
Interested please email for more details email@example.com
FRIDAY AUGUST 17th
DON’T PUT OUT THE MY FIRE: RL BOYCE
Artist’s reception 3-5pm
Austin’s Barber & Stylist Shop 219 North Main Street, Como, Ms, 38619
Photos and Films by Yancey Allison
Yancey Allison a Como photographer first met and began photographing RL Boyce in the late 1990s. Decades of shared memories captured on film, Yancey has rarely shown her photos of RL. From raucous yard party performance to tender images of RL cradling his daughter. Yancey’s intimate eye gives an honest glimpse into the life of a 21c. Afro-American Mississippi Blues musician.
FRIDAY AUGUST 17th
HURT FAMILY FIFE AND DRUM BAND ROLLS
Willie will lead the Hurt Family Fife and Drum Band from Austin’s on Main Street to Como Park on West Street. March with us.
COMO Community PARK 5:00pm-11:45pm
West Street, (Behind Windy City Grill) Como, Ms.
RL BOYCE birthday lineup BLASTS OFF!
Live music begins at 5:00 pm with Lil’ Joe Ayers, Eric Crays, Andrea Staten, EJ Vanzandt, Cam Kimbrough, Jeffery Evans, Kody Harrell, Bill Gibbs, Greg Ayers, Tracy Hullette, Duwayne Burnside, Lightnin’ Malcolm, Mark Muleman Massey, Eric Deaton, Kenny Brown, Sharde Thomas & The Rising Stars Fife & Drums, Pork Chop Willie, Kent Burnside Band and RL BOYCE!
FREE! FOOD! BYOB! COOLERS! FREE!
SPONSORED by the fine folks at FANCY! and GO APE! RECORDS
Like to get involved? Sponsorship, advertising, and benefactor opportunities available.
Come on thru… We want 2C YOUR FACE in tha place May 11-13, 2018 at The Hut in Holly Springs, MS
In it’s second year the Kimbrough Cotton-Patch Blues Festival is three days of unfiltered Cotton-Patch Soul Blues hosted by Junior’s youngest son, Robert Kimbrough Sr. The festival is dedicated to the preservation, education and celebration of the music and life of North Mississippi Cotton-Patch Soul Blues legend David “Junior” Kimbrough.
Join us ALL NIGHT LONG for a photo and sculpture exhibit by Bill Steber
Friday May 11, 2018 4-6pm Leontyne Price Library Gallery on the Campus of Rust College FREE
followed by FRIDAY NIGHT OPEN FLOOR JAM, Archival Film Screening
Join Robert Kimbrough Sr. BluesConnection on the floor for a live electric Cotton-Patch Blues open jam. Robert GONE LITE IT UP. HELP HIM TURN IT OUT.
Also screening unavailable 1990 Live performance footage and interview with Junior Kimbrough at the Chewalla Rib Shack (60 mins). With Little Joe Ayers on bass and Calvin Jackson on drums. Film by Jas Obrecht, recently unearthed amateur video of Junior, Joe, and JuJu at Johnny Smith’s Horse Show, May 1989 near Chulahoma, Ms. (Thanks JAMA!). $10.00 The Hut 475 West Valley Ave. Holly Springs
Saturday MAY 12, 2018 10 AM – 4 PM Cotton-Patch Blues Guitar, Bass, Drum and Harmonica and Work Shop
9:00 – Join Little Joe at the StarLite Gas station for the best breakfast in Holly Springs before heading over to The Hut.
7:00 -9:30 A true country breakfast will be available at the HUT. Robert’s older sister Stephenie will prepare a breakfast. Robert’s favorite meal of the day.
Classes begin at 10 am
Junior’s sons Robert, David and Kinney will be available for guitar, bass and drum instruction all day. Little Joe Ayers will also be available for Cotton-Patch Blues guitar lessons. David Hayden of Dallas Texas on harp will offer his knowledge on harmonica. Students will be encouraged to show-off “their” style, while the Blues Legends shares their secrets. Learn Cotton-Patch Blues from the Originals.
Saturday 10 AM- 4 PM
Our partner Mt. Zion Memorial Fund offers another headstone guided tour Mt. Zion Memorial Fund Headstone Blues Tour of the North MS Hills
This tour will visit the forlorn and rural graves of hill country blues artists such as R.L. Burnside, Johnny Woods, Ranie Burnette, Wilbert Lee Reliford, Sid Hemphill, Jessie Mae Hemphill, Lucius Smith, Fred McDowell, Joe Callicott, and the long mysterious final resting place of Eli Green.
Later Saturday night back at The Hut, the students will be invited on to jam with the same Blues Legends. The night will run in the traditional juke joint style of switching off with plenty of guest musicians. Fish sandwiches, burgers and cold beer will be available. The club is open to all, and locals are welcome! This type of unfiltered, smoking-hot Blues is simply what the Kimbroughs are famous for. $150.00 Limited to 25 students $10.00 General Public for the Night Time Jam
Sunday morning MAY 13, 2018 10 AM
Junior Kimbrough Cotton-Patch Blues Guided Memorial Tour
9: – Meet up with Little Joe at the StarLite Gas station for the best breakfast in Holly Springs before a
ride around town with Little Joe. On Sunday morning to all the local spots that pertain to Junior’s life in the Holy Springs area. The tour includes the home he shared with his sons, where Junior hosted countless house parties, Junior’s clubs, Blues Markers, Marshall Scruggs and Junior’s grave. Joe and will be on hand to tell stories, answer questions, and pose for photos. $25.00 limited 25 people
We’ve added a car show this year!
The Car Show is $10 to enter.
Wax up those hot wheels. Arrive at 2 pm . Find Robert to enter.
Look for his Green Machine (w/ gold fleck)1972 Galaxie 500 in the parking field. Parade starts at 3 pm.
RECREATION OF SUNDAY NIGHT AT JUNIOR’S 4PM
Join Robert Kimbrough Sr., and his brothers David and Kinney, plus Original Soul Blues Boy Mr. Joe Ayers for a late afternoon Mississippi family picnic. Celebrating the music of Junior Kimbrough artists to appear Robert Kimbrough Sr. BluesConnection, The Kimbrough Brothers, RL Boyce, Little Joe Ayers, Cam Kimbrough, Eric Deaton, Daniel Russell, Malcolm Lightnin’, Sean Apple, Lucious Spiller, Carlos Eliott, Mark Mule Man, Memphis Gold, Jesse Cotton Stone, Pork Chop Willie, David Hayden, Janky, and #1 Juke Joint Dancer Sherena Boyce.
$25.00 at door CASH ONLY Advance tickets ONLINE ONLY $20 Day of $75 per carload CASH ONLY (Up to six adults in one car) Children under 12 free Coolers allowed No glass Son and Friends of Junior Kimbrough VIP PACKAGES, SPONSORSHIP OPPORTUNITIES, VENDOR spaces
Kimbrough Cotton-Patch Blues Festival is in partnership with Holly Springs Community Development Corporation.
Leontyne Price Library Archive, Memphis Blues Society, Mt. Zion Memorial Gravestone Fund
with generous support from Mississippi Hills National Heritage Area, FANCY! and The Son and Friends of Junior Kimbrough
Many have contacted us here at FANCY asking about the insane twenty-minute vocal track included on the CD-R mix that accompanied 100 copies of our premier issue (if you didn’t get one, check www.fancymag.com for downloadable MP3’s). Here’s the story. A few months back, a West Coast acquaintance asked if we had heard the rappin’ Korean bus driver. Well, we had not and a few weeks later the tape was in our P.O. Box. It sounded like a spastic auctioneer on methamphetamine chanting furiously over cheesy Casio keyboard riffs. The tape had two tracks. Each was a 25-minute non-stop party comprised of nonsensical scat yodels backed by a hypnotizing aerobicized beat. Our friend could only tell us that he got the tape in 1991 while in Japan visiting friends. His friends discovered it while on holiday in Korea. The tape was playing in a record store and they just had to have it.
This is where FANCY comes in. After hearing the first note, we began our quest from the sole clue that someone played the tape in a record store on the other side of the world. We pondered…. could this insanely alien, unrelenting endless series of yelps and howls be pop music? We enlisted persons fluent in both Korean and English and discovered that our suspicions were right. It is pop music. The singer, E Pak Sa, is a Korean entertainer who has recently risen to super stardom in Japan. Thanks to our friends who laboriously translated several articles for us, we are able to provide some info on this unique madcap. This is pop music at its most extreme and now we unleash onto you the wonderful world of E Pak Sa (aka Dr. E.).His given name is E Yong Sug (Yong Sug Lee). He was born October 5, 1954 in Gyung Gi Do, Masug (about 40 minutes North of Seoul). He learned Pansori from his musician parents while growing up. Pansori is a form of musical storytelling. It generally consists of a vocalist accompanied by drums. Derived from the Korean words pan, meaning performance venue, and sori, or song, Pansori originated in southwest Korea in the Seventeenth-Century. It is one of the most unique expressions of Korea’s rich performing arts tradition. Pansori embraces both elite and folk culture in its expressive singing, stylized speech, repertoire of narratives and mimetic gestures. Performances may last up to eight hours and Pansori singers undergo long and rigorous training to master the wide range of distinct vocal timbres and to memorize the complex repertories.
E Pak Sa’s parents passed away while he was in his teens. After his parents’ passing he moved to Seoul and worked over twenty different jobs until one day he saw people singing on the tour bus parked in a theme park. He thought that he wouldn’t mind doing that for a living and landed a gig singing on that same bus, and randomly became a tour bus guide. (In Korea, among the middle age & seniors it is common for groups to travel on organized bus tours. Because of the mountainous landscape, the travel hours are long; to pass the time riders sing and dance during the trip to entertain themselves.)
E Pak Sa brought a new twist to the art of Pansori, as he contemporized the ancient tradition by incorporating modern, often Western, pop hooks into his passionate vocalizations. His reputation started to build based on his unique way of entertaining. While singing, he would imitate the sound of all of the instruments used in the prelude and interlude, and even the sound of the whistle used to gather the tourists. His nickname, Dr. E, came from his broad knowledge of various styles of songs.
Throughout the years, many record companies offered to record and release his songs, but E constantly refused on grounds that he found it inappropriate and out of sync with his style. After almost 20 years of performing on the tour bus, in 1989, the owner of a renowned nightclub who was also a producer offered him a deal with total creative control. They headed straight to the studio where the recording was done in two hours.
His first album, Sinbaram Epaksa Vol. 1, (the elation / excitement of) in 1989, was an instant hit among the truck drivers and middle-aged working-class audience. Over 1,000,000 cassettes were sold and E Pak Sa became a hot new sensation for the Korean middleclass. His fame earned him a spot on a popular program at the time, Inganshidae (“human age”- a documentary program detailing different people’s unique lives – mostly struggle / success stories) on MBC (one of the major national broadcast channels). Following various guest spots on talk shows, he served for one whole year as co-host on an MBC daytime program, Nahohyangsohshic (“news from my hometown”). Fueled by the heat of his first album’s success, he released 19 more cassettes in the same year selling millions of copies. To this date he has released 25 albums. In the beginning of his career he performed mostly in clubs, but now he prefers banquets and birthday parties.
In Korea teenagers are the major consumers of pop music. These teens go for the syrupy shallow pop singer combined with a contrived image. The younger people overlooked E’s unusual wacky folk style along with the hypnotizing repetitive Casio beat.
After researching the most marketable place for his music, he and his team concluded that Japan offered the greatest possibilities. Up until that time no Korean artist had boomed in Japan and distributors were looking for something new. Around the Fall of 1995, a small indie Japanese label introduced E Pak Sa to Japan with a CD of his signature style vocals accompanied by the disco fury. Fortunately, the president of Sony Music Japan was a fan of Koreans’ middle-aged music and he was captivated by E’s original sound and pushed for an album to be produced in Japan, which eventually became a Korean-Japan project.
Sony’s promotion machine came up with PON-CHAK, a disco title for E’s music, and was marketed to the teens of Japan. In the Spring of 1996 E-Pak-Sa Encyclopedia of Pon-Chak Party 1 & 2 was released. Here E’s music changes, as he sings words and lyrics not just sounds and vocalizations. This is overall a more refined outing. There are also a few songs sung in English, e.g., our fav, Monkey Magic. Also included in this effort is a song titled Young Man, E’s rendition of the Village People’s YMCA. His brilliant interpretation only contains hints of the original disco anthem. Still formatted to be one-continuous-track, E uses his distinct vocals to signal to the listener the song’s end. Released later that same year was 2002 E-Pak-Sa’s Space Odyssey and E-Pak-Sa’s 5cm Higher and Rising!. Sales were initially slow, but steady. Sony’s package as “Korea’s Disco Emperor” who sings in a unique style telling of Korean culture enabled him to land a gig as spokes-model for a large cosmetic company in Japan. E’s appearance in the commercial as a foreigner singing in his native tongue was unprecedented. This exposure launched E into superstardom in Japan.
Sell-out concerts, myriad television appearances, riots at in-stores, and Japanese teens speaking Korean are all products of E Pak Sa’s impact in Japan. E had infiltrated the popular culture of Japan and paved the way for other Korean artist to do the same. 1997 saw the release of the CD Space Fantasy.
After a three-year hiatus, Space Fantasy 2000, a remix of the earlier release hit stores. During this time Sony Korea had caught on and were eager to reintroduce E Pak Sa to Korea’s teenagers and the world. Again the record company recreated his image and began to market him as one of the world’s leading artist. The remix sounds much like typical, techno J-Pop with samples of his recognizable vocals peppered throughout. Sometime in late 2000 or early 2001 Pon-Chak Revolution, a 2 CD package, Pak Sa Revolution, and Pak Sa Emotion were unleashed on the consumer market. Revolution contains extended techno dance remixes from the latter. Also from 2001 is 2Pak4 Winter Techno-Pon. This appears to be a Christmas release from the cover artwork. We easily found all of these CD’s in Little Seoul, a mid-town Manhattan neighborhood.
E Pak Sa continues to be a star in his homeland and other parts of Asia. Maybe someday his aesthetics will wash upon our shores. Until then please visit www.fancymag.com to enjoy some of his videos and television appearances.
The FANCY! Clip Party Turns 10, so we are taking it to 11!
JAPANESE STYLE! >LIVE in TOKYO < ONE NIGHT ONLY! FIVE BANDS from all over JAPAN plus hours of EYE-POPPIN’, SUPER-ROCKIN’ VIDEO culled from FANCY!’s own Digtal Video Archive.
MONDO FANCY! AWAITS
It’s official – the FANCY! Clip Party will soon be unleashed in the East and you are invited. Prepare yourself for hours of live bands and incredible video rarities featuring obscure trailers, rare music promos, counter-culture curios. Enough jaw-dropping visuals to fill your dreams with nightmares!
The FANCY! gang are coming to Tokyo!
Go Ape RecordsやFancyのAmyとMichaelはNEW YORKから東京にやって来ます。
We are GO GOing Ape! LIVE:
SAIKO FANCY! TOKYO Friends Theee Bat – Primitive sounds to drive you bats Mule Team – Real Rockin’ Roll Pinprick Punishment – Brutal Hardcore
Brooklyn’s GO APE! Records Recording Stars Los Wakamonos
demented instrumental duo from Okayama
and The Paralyz
Dyn-o-mite surf trio from Fukuoka
Plus FANCY! VJs from BROOKLYN, NY!
MONDO FANCY! Video track list
LIGHTNIN’ HOPKINS – Let’s Pull A Party (NYC 1960)
GORILLA AT LARGE – Trailer (1954)
The SEX ORGANS – Outer Space (Amsterdam 2014)
FREDDIE KING – Hide Away (The Beat! 1966)
LIONEL DAVIS – Candy Pants (198?)
JACQUES DUTRONC – Les Cactus (French TV 1966)
SERGE GAINSBOURG – Docteur Jekyll Et Mister Hyde (Promo 1968)
FRIGHTMARE – Trailer (1974)
The MIDDLE CLASS – Out Of Vogue (Promo 2015)
The BIRTHDAY PARTY – Junk Yard (Dutch TV 1982) Continue reading Killa Gorilla Beat ’16 – MAKE THE FANCY! SCENE!